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If you or someone you know ever comes into possession of this video please leak it. This has been a PSA. You should take this review with a grain of salt because while Haneke is my favourite director I always felt more drawn to his more radical movies whereas I could never really warm up to Code Inconnu which is in many ways similar to… Sydney Film Festival 2017 - #5 My first reaction was that this was not Hanake at his best. It certainly lacks the tight cohesion and precision brutality of Funny Games or the devastating depths of tragedy plumbed by Amour. Instead, it throws a grab bag collection of wry, darkly humorous vignettes at the wall and observes them as they slowly slide down the wall until they stick and assume the expression of a big ugly grimace. But it actually leaves you with lots to unpack. Exhibiting the foibles and squabbles of an upper middle class family, Haneke explores rich people's problems. The ennui of those with the leisure time to have depression, to be selfish and to struggle to come… every old person in the room when toby jones's name came up in the opening credits: ooooh toby jones!
Edit Storyline A small time crook tells his story of how he accidentally seemed to kill Batman, and how now everyone wants to kill him next. Plot Summary | Plot Synopsis Did You Know? Trivia At the chemical factory, the Joker claims it was the Batman who created him. This refers to the events of Batman (1989), where hitman Jack Napier got into a scuffle with Batman at a chemical factory and fell into a vat of chemicals, which distorted Napier's features and turned him into the Joker. See more » Quotes [ first lines] [ arriving at Rupert Thorne's manion] Sidney Debris: [ agitated] I have to speak to Mr Thorne! See more » Soundtracks Cuéntale Batman Theme Composed by Danny Elfman See more » Details Release Date: 1 February 1993 (USA) Company Credits Technical Specs See full technical specs » Prime Video has you covered this holiday season with movies for the family. Here are some of our picks to get you in the spirit. Get some picks
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The Specials, " the social-issue drama that closed the 2019 Cannes Film Festival, dramatizes a true story based on the figure of Stephane Benhamou, who for years in Paris has run a shelter for autistic teens and young adults with symptoms severe enough that even hospitals slink away from caring for them. Stephane, called Bruno here, is played by Vincent Cassel, in a scraggly dust-gray beard that makes him look older than we're used to seeing him. There's nothing old about his energy, though. Cassel gives a zealous, live-wire performance as a man who exists to serve the people that most caretakers don't want to be bothered with. When we first meet Bruno, he's wearing a New York Yankees cap. After about 15 minutes, he takes it off — and reveals, to our surprise, that he's got a yarmulke on underneath. It turns out to be far from incidental that Bruno is an Orthodox Jew. We never hear him discuss religion (and his partner, as we learn, is a Muslim), but his identity is that of a compulsive outsider, one driven to create a safety net for the needy that's removed from the system.
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IGSRep page here: [ Steam Profile of ravl13] () README Only interested in games in title. Not interested in any offers other than for that or my wishlist.
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La contrapposizione fra una figlia di immigrati vitale e sanguigna e una bramina algida e intenzionata a non cedere nessuno dei propri privilegi "di nascita" sarebbe stata orttima materia per un film sui rapporti interraziali negli Stati Uniti (alla Scappa!, per intenderci) dalle potenti sfumature politiche. Invece L'amore criminale si accontenta di essere un thriller molto già visto e troppo involontariamente comico (senza arrivare al deliziosamente trash). Ciò che salva il film è la confezione glamour, una certa capacità registica, e soprattutto l'appeal delle due attrici protagoniste, che si propongono come modelli di femminilità contrapposta ma egualmente arrapante: Katherine Heigl è la stronza fighetta che al liceo non degnava nessuno di uno sguardo, Rosario Dawson la latina dolce e caliente capace di trasformarsi in una tigre (anche a letto). E pur nello stereotipo rampante, le due interpreti sono infinitamente guardabili. In mezzo, più stereotipato di tutti, c'è l'anonimo Geoff Stults nei panni del classico maschio frescone: sarebbe stato molto più divertente se il suo David avesse mantenuto una maggiore ambivalenza nei confronti di quelle due gnocche spaziali che la sorte gli ha dato per compagne, senza che lui possieda alcuna virtù (salvo, forse, gli addominali scolpiti) per meritarsele.